As the Cannes Film Festival opens on the French Riviera, fasten your seat belts for a whirlwind ride along the Cote d’Azur.
“Belle! Belle!” a man calls out from a corner café as I round a bend in my 1956 Porsche 356 Speedster. Whether his hoot of approval and accompanying wolf whistle are for me or, more likely, for my rented wheels hardly matters. With the top down and the sunshine of the French Riviera casting a golden glow across the landscape, I’m smiling ear-to-ear either way.
I only hope I’m out of sight when I stall the car on a slope, the gears grinding and growling like an angry grizzly as I try to cajole the temperamental stick shift back into first.
Never mind. I’m going to enjoy my movie star moment, ensconced in a red bucket leather seat as I clear the coast and head into the pine-scented hills.
This is silver screen country, after all, where dozens of seminal films have been shot since the 1950s.
My hired ride from Rent a Classic Car is the same model favored by James Dean, and my hair is pulled back into a wind-defying blonde bun, a la Grace Kelly. All that’s missing from this picture is Cary Grant…and a snazzy score by Henry Mancini to drown out the carnage I’m inflicting on the motor.
Cruising in a vintage car is the perfect complement to my cinematic tour of the Cote d’Azur, which will take me from Cannes to the ridiculously picturesque mountaintop village of Eze, with stops in Antibes, St. Paul de Vence, Nice, and Villefranche-sur-Mer along the way. (more…)
“’For six weeks, I allow Bath is pleasant enough; but beyond that, it is the most tiresome place in the world.’ You would be told so by people of all descriptions, who come regularly every winter, lengthen their six weeks into ten or twelve, and go away at last because they can afford to stay no longer.”
So Mr. Tilney wryly remarks to newly arrived country mouse Catherine Morland, Jane Austen’s young heroine in Northanger Abbey. Austen visited Bath in the late 1700s and lived here from 1801 and 1806, and she set much of Northanger Abbey and Persuasion in this Georgian city 100 miles west of London.
Although this year marks 200 years since the author’s death, her descriptions of Bath at the dawn of the 19th century retain the acerbic sting of Austen’s wicked wit.
But with the passing centuries, Bath seems to have forgiven its adopted daughter for her droll jibes. In addition to establishing the Jane Austen Centre, Bath holds two annual events in her honour: the Jane Austen Festival Regency Costumed Summer Ball, and the Jane Austen Festival in September, which holds a place in the Guinness Book of World Records for gathering the most people in Regency dress (since the early 1800s, one would assume). This year, you can also participate in a bicentennial Grand Regency Ball, to be held September 16, 2017 in the Assembly Rooms, where Austen herself would have kicked up her heels back in the day. (more…)
Honey-hued villages. Historic old mansions. Towering cathedral spires, and woolly white sheep grazing in green fields or upon snow-dusted slopes, a terrestrial reflection of cotton candy clouds suspended in a cerulean sky.
The bucolic beauty of the English Cotswolds are so improbably alluring at any time of year, they might have been built on a Hollywood backlot. It’s hardly surprising, then, that filmmakers flock to this photogenic swathe of twee stone towns. The region dips and rolls across south central England, encompassing Oxfordshire and Gloucestershire as it unfurls over 90 miles from south of Stratford-upon-Avon to just south of Bath.
Oxford is the main setting for the British crime mystery drama “Inspector Morse,” and its two spin-off series, “Inspector Lewis” and “Endeavor.” The nearby village of Bampton doubled as Downton, where the Grantham family’s triumphs and tragedies played out over six seasons on “Downton Abbey,” and Winston Churchill’s ancestral home, Blenheim Palace, appeared in The Young Victoria and Disney’s 2015 remake of Cinderella.
In fact, Gloucester Cathedral has appeared in so many productions, including the Harry Potter franchise, Alice Through the Looking Glass, and “Sherlock,” that I expect it’s now demanding its own dressing room complete with an albino monkey named Gary, two dozen rare orchids gathered by Tibetan monks under the light of a blood moon, and a hypoallergenic solid-gold toilet that flushes pure Evian.
That list barely scratches the celluloid surface of the Cotswolds’ impressive reel of credits.
If you’ve ever dreamed of walking in the wingtips of the world’s sexiest super spy–or tottering along in the sky-high stilettos of a Bond babe–read on for a list of Great Britain’s most 007-worthy adventures. Whether you’re burning up the road in an Aston Martin—or burning big bucks on London’s aptly-named Bond Street–these top six tips will leave you feeling more stirred than shaken.
Up at the O2 (more…)
With 50 years experience in the film industry, John Richardson makes movie magic look as simple as a wave of the wand. He served as special effects supervisor on all eight Harry Potter films and also worked on such iconic film franchises as the James Bond movies, Superman, and Alien, for which he won an Academy Award in 1986.
Recently, he paused for a chat on Platform 9 3/4, the latest Harry Potter set to be installed at Warner Bros. Studio Tour London. The new addition, which features the original Hogwarts Express steam train, opens March 19.
Richardson talks about making wizards fly, the pitfalls of computer generated effects, and the one item he most wishes he could’ve taken home from the set. Watch our interview on YouTube here:
To see my interview with Mark Williams, who played Mr. Weasley, click here: http://amylaughinghouse.com/?p=4163
For more on the Harry Potter Warner Bros. Studio Tour London, click here: http://amylaughinghouse.com/?p=770
Pack your trunks. Round up your rats, and get ready for a new wand-waggling adventure. On March 19, 2015, Harry Potter’s own Hogwarts Express steams onto a resurrected Platform 9 3/4 at the Warner Bros. Studio Tour London.
I had a track-side chat with Mark Williams, a.k.a. Mr. Weasley, about movies, memories and magic.
For more info on the Warner Bros. Studio Tour London and “The Making of Harry Potter” experience, check out my story: http://amylaughinghouse.com/?p=770
LEAVESDEN, ENGLAND: I’m whizzing over the Thames, the wind in my face, so close that I can dip my hands in the water. Then suddenly, not of my own volition, I’m soaring heavenwards, only to rocket back down to earth moments later, dodging cars and buses on London’s busy streets. Oh, and did I mention, I’m riding a broom?
Boarding a bucking Nimbus 2000 in front of a special effects green screen is just one of the hands (or in this case, bottoms) on attractions at the “Warner Bros. Studio Tour London: The Making of Harry Potter” experience in Leavesden, 20 miles northwest of London.
Unlike the The Wizarding World of Harry Potter in Orlando, Florida, the U.K. doesn’t feature theme park rides like roller coasters.
Instead, Leavesden offers a true behind-the-scenes look at the Harry Potter movies, which were primarily shot on a soundstage next door.
It embraces 170,000 square feet of space bursting with the actual sets, costumes, props and magical machines, including the original Hogwarts Express steam engine, parked alongside a recreated Platform 9 3/4.