There are few occasions on the British social calendar more sartorially daunting than Royal Ascot. The Queen herself is in the habit of attending this legendary thoroughbred racing meet, scheduled for June 20-24 this year, and the bold and the beautiful have been flocking here for the big event for more than 300 years. (Well, not the same people, mind you, although a few attendees appear so well-preserved that you might wonder).
Rocking up in the proper attire is essential. In fact, Ascot has devoted an entire section on its website to the dress code, which varies according to where you sit.
For the coveted Royal Enclosure, men must wear a top hat, and everything from the size of a lady’s headpiece to the width of her dress straps is specified down to the inch.
Exposed midriffs are verboten in the Royal, Queen Anne and Village Enclosures.
“Fancy dress” (as in costumes, not “fancy dresses”) are forbidden everywhere…and Daisy Duke cut-offs are, presumably, right out.
But that doesn’t mean that you can’t have a bit of fun and stand out in the crowd.
If your feathered fascinator needs refreshing and last year’s dress is looking bedraggled, Danish-born designer Isabell Kristensen has the couture cure for what ails you.
Kristensen, whose clients include Nicole Kidman, Kate Winslet, Katy Perry and Monaco’s Princess Charlene, recently debuted her 2017 Royal Ascot collection at the Mandarin Oriental Hyde Park in London.
Here are a few of my favourite looks from Kristensen’s show.
Louche lingerie. Naughty knickers. Silky slips. And bras? Your cup(s) runneth over. Have I got your attention? I thought so.
These aren’t the sort of treasures you typically find in an esteemed public institution, but London’s Victoria and Albert museum is renowned for its sartorial showcases of wearable art. With well-received exhibitions of Hollywood costumes and last year’s cadre of haute couture fashions from Alexander McQueen under its belt, the design museum now dares to go (almost) bare with “Undressed: A Brief History of Underwear.” (See what they did there?)
This assemblage of unmentionables, on show until March 12, 2017, date from the 18th century to the present. It’s an eclectic collection ranging from the rather mundane, such as a package of Y-front men’s underwear and ladies’ panties emblazoned with the days of the week, to the decidedly more exotic.
Imagine, for instance, strapping yourself into a 19th century steel crinoline resembling the skeleton of a starved and stunted dinosaur, or lubing up to squeeze into a red and black rubber ensemble of matching bra, corset, thong and stockings (below, second from right, released by House of Harlot in 2015). Neither would look out of place in the Marquis de Sade’s torture chamber.
New York, New York: It’s hard to upstage a dress made from plastic drinking straws or a bridal bikini composed of strategically placed roses—two of the more far-fetched creations at the Metropolitan Museum of Art’s new Costume Institute exhibition, “Manus x Machina: Fashion In An Age Of Technology.”
Yet somehow, the ladies who walked the red carpet at the Met’s Costume Institute Gala managed it.
Kim Kardashian’s metallic ensemble drew comparisons to Star Wars’ C3PO. Taylor Swift was mocked for rocking up in a cocktail dress that looked like a swath of aluminum foil, and social media mavens suggested that Beyonce’s figure-hugging, flesh-colored latex gown was actually the skin of her husband’s alleged mistress. WHOA.
Now that the stars have receded back into the heavens, it’s time to take a closer look at the equally outrageous outfits actually on display through August 14. “Manus x Machina,” which showcases more than 170 designs, examines how innovations like 3-D printing, computer modeling and ultrasonic welding (whatever that is) are blurring the lines between haute couture and avant-garde ready-to-wear styles.
Want to see what else is a la mode in Manhattan? Here are the top ten ogle-worthy fashions I spotted at the Met during my recent visit. (more…)
Banish the beige, drop the drab, and refuel your fashionista spirit with a visit to “Savage Beauty,” a retrospective of the late Alexander McQueen’s sartorial extremes on display at London’s V&A.
Claire Wilcox, the V&A’s senior Curator of Fashion, has considerably expanded upon the original exhibit at New York’s Metropolitan Museum of Art. For the London show, which continues through August 2, 2015, Wilcox sourced 66 additional pieces and included a new section focusing on McQueen’s early collections.
The result is an extraordinary selection of 240 ensembles dating from 1992 to 2010, displayed over ten themed rooms.
Here are a few “do’s” and “don’t’s” to bear in mind if you’re planning a visit. (more…)
Growing up in the Southern United States, I learned the fundamental fashion rules from my mother. Never wear white after Labor Day. Always match your shoes and your handbag. There’s no such thing as a bow that’s “too big.” And do not, under any circumstances–not even on a triple dog dare–sport a duct-taped box on your head. (Like I said…the basics.)
But when I moved to London eight years ago, I found folks around every corner who not only broke the rules. They burned them, smashed them, and jumped up and down on them in Doc Martens that–get this–clashed with their handbag.
I have a couple of theories about Londoners’ funky fashion sense. One is that you’ve got to push the boundaries if you want to stand out in a city of more than eight million.
Another is that closets here are so small, you’re pretty much forced to mix and match the few items you own with maximum…let’s just call it “creativity.”
Or maybe it’s down to the city’s unofficial motto: “London: The City Too Busy To Do Laundry.” So just wear whatever smells least like stale sweat and spilled beer. Even if that means donning a sombrero and flippers.