There are few occasions on the British social calendar more sartorially daunting than Royal Ascot. The Queen herself is in the habit of attending this legendary thoroughbred racing meet near Windsor, and the bold and the beautiful have been flocking to the big event for more than 300 years. (Well, not the same people, mind you, although a few attendees appear so well-preserved that you might wonder).
Events have historically kicked off with the Queen’s procession from neighbouring Windsor. (Yes, Liz is the tiny regal canary in the yellow suit). Hey, it’s called “Royal” Ascot for a reason.
Rocking up in the proper attire has always been essential. Men were required to wear a top hat in the coveted Royal Enclosure, exposed midriffs were verboten in the Royal, Queen Anne and Village Enclosures, and fancy dress” (as in costumes, not “fancy dresses”) were forbidden everywhere. Daisy Duke cut-offs were, presumably, right out.
So, while the dress code has traditionally varied according to where you were seated, 2020 is proving to be the great equaliser. Because this year we’ll all be sat at home, watching the horses haul Ascot on TV from the comfort of our settee.
“Fantastic,” you might think, breathing a sigh of relief as you unzip your jeans another inch, watching with morbid fascination as your muffin top expands like a marshmallow in the microwave. (I jest, of course. Clothes with zippers are like, sooooo 2019).
But not so fast! Organisers for Royal Ascot, which runs from June 16-20 this year, are encouraging sofa-bound spectators to celebrate in style to raise money for four frontline charities: the National Emergencies Trust, NHS Charities Together, the Care Workers’ Charity and the Berkshire Community Foundation. Suited-and-booted studs and coltish fashionistas can participate by ponying up £5 on the fundraising page and posting photos of their race day attire–complete with de rigeur headwear–accompanied by the hashtags #StyledWithThanks and #RoyalAscot.
I thought I had retired this feathered fascinator, but I may have to dust off the old molting peacock (not a euphemism…or is it?) for Royal Ascot 2020.
It is, indisputably, a worthy cause, and super-fit Instagram influencers–those beautiful people who have spent the entirety of lockdown subsisting on wheatgrass fasts and perfecting yoga pretzel poses–will doubtless welcome an opportunity to giddy up in their glad rags for the greater good.
But many mere mortals, myself included, have looked upon the corona quarantine as an opportunity to let our hair down, quite literally, morphing into sofa-squatting Sasquatches with unsettling speed. We have learned that whisky works just as well as a medium for breakfast cereal when you can’t be arsed to stand in line for half an hour outside the grocery store to buy a pint of milk. In lieu of lifting weights at the gym, we hoist plates piled high with pasta. (One must somehow dispose of those 50 bags of stockpiled linguini languishing in the cupboard).
So we might bridle at the notion of exchanging our elastic waistbands for buttoned-up waistcoats, of abandoning baggy sweatshirts for unforgiving “bodcon” dresses that cling to our lumps and bumps like sausage skin–and then posting those pics for all the world to see on social media.
For me, the idea of simply strapping on a bra is a total ‘mare. My nags were first out of the gate in mid-March, and after a few months of free-range grazing (although not yet grazing my waistline, thank you very much), I’m not keen to wrangle them back into the stable.
Had I thought about it sooner, the most effective fundraiser I could have organised would have been to ask all my female friends to donate £5 for every hour that I wore a bra during lockdown, operating on the assumption that people will only give you money when they want to see you properly miserable. Applying this retrospectively, that would amount to a measly £20, but I would’ve gone all out (or rather, reined them both in), if I’d raised the stakes and asked folks to place an exotic wager on my daily double.
But despite the fact that I’m hardly at my jockey weight, I’ve got to face the facts. I need to get back in the saddle–or at least into undergarments. I’ll show you my Ascot if you show me yours.
New York, New York: Bad news for fans of freaky fashion. Manhattan’s Met Gala has been indefinitely postponed, due to the coronavirus pandemic.
The annual fundraising fete, which benefits the Costume Institute at the Metropolitan Museum of Art, is best known as a balls-to-the-wall competition among outrageously clad celebrities attempting to induce a) shock, b) lust, c) jealousy, d) outrage, e) retinal haemorrhage f) all of the above, as they swan up the museum’s red carpeted steps each May.
Grammy Award-winning Cardi B at the Met Gala Ball in 2019. Photo found here.
While the stars may be unable to shine at the gala this year, fear not. For your viewing confusion, I’m hooking you up with some of the weirdest, most wanton confections from the past—and looking back at the far-fetched creations from the Met’s 2016 exhibit “Manus x Machina: Fashion In An Age Of Technology.”
You’ll find everything you need to furnish your own Little House of Horrors at the Marché aux Puces de Paris-Saint-Ouen.
There may be only one place on the planet where you can find ancient French tapestries, intricately carved African fertility statues, a moth-eaten orangutan and a copy of Barry Manilow’s “Paradise Cafe” (on vinyl, no less). With a selection of antiques even the Smithsonian might envy, France’s Marché aux Puces de Paris/St-Ouen beckons bargain hunters, interior decorators, and the just plain curious.
Widely considered to be one of the largest antiques and second-hand markets in the world, the marché embraces more than 1,700 stalls sprawled over 10 hectares in Paris’ 18th arrondissement.
Flea market aficionados flock here to snap up deals on everything from silverplate to crystal balls to 17th-century suits of armor.
Need a medieval crown from the South of France? Chances are, they’ve got that, too.
Even if your expense account doesn’t cover jewel-encrusted headgear, it’s an amusing way to spend an afternoon.
Lose yourself in the labyrinthine alleyways and simply soak up the atmosphere as you browse for deals on some of the strangest stuff to ever clog a closet. (more…)
With glorious Glastonbury descending on the fields of Worthy Farm once again, here’s a photo essay of some of my favourite moments from previous Glastos. You’ll laugh (I hope). You’ll cry (probably not). But you will, undoubtedly, be very grateful that you have indoor plumbing.
The Pyramid Stage
Go to Monaco for the Formula 1 Grand Prix. Stay for the gob-smacking glitz of Monte-Carlo’s Michelin-starred restaurants, chic shops, and palatial hotels.Small but perfectly formed, Monaco measures less than one square mile and is the most densely populated—and arguably the most glamorous—country in the world. In this coastal kingdom, synonymous with the dazzling municipality of Monte-Carlo, Lamborghinis, Ferraris and Porsches prowl the streets, and multi-million dollar yachts jockey for space in a pair of posh ports.
Impeccably-coiffed women in sunglasses and stilettos stalk the shop-lined Cercle d’Or. Bronzed beauties bask at exclusive beach clubs, and high rollers try their luck in the legendary Casino de Monte-Carlo, surrounded by crystal chandeliers and gold-flecked mosaics.
Royal-watchers climb to the hilltop Palace of Monaco to see the changing of the guard. In such a small country, it’s not uncommon to even catch a glimpse of Prince Albert II and his wife, Princess Charlene, whizzing by in a motorcade.
And every May, of course, racing enthusiasts rock up for the high-octane adrenaline rush of the Monaco Formula 1 Grand Prix. Some fans shell out thousands to watch competitors speed through city streets from a prime position on the harbor’s edge, with pit lane access and an open bar.
WHERE TO EAT
The cars may be fast, but the food is not. One doesn’t make a pilgrimage to Monaco for McDonald’s, now does one? No, indeed. One comes to snarf at a constellation of Michelin-starred culinary institutions.
This holiday season, forget elvish slave-labour. Consider planet-friendly presents that let you stuff those stockings with a clear conscience. Check out these shops for gifts that are as chic as they are eco-friendly.
NEW YORK, USA
Recycling old fabric into new fashions isn’t limited to tying on a tattered bed sheet and calling it a toga. At Geminola in New York’s trendy Greenwich Village, London transplant Lorraine Kirke is taking salvaged style to a whole new level.
Remember the scene from Gone With The Wind where Scarlett O’Hara, in the throws of poverty but eager to make a good impression, eyes her green velvet drapes and envisions a gorgeous new gown? Well, Geminola is a bit like that, but with a fizzy dose of Sarah Jessica Parker’s alter ego Carrie Bradshaw thrown in. (more…)
Louche lingerie. Naughty knickers. Silky slips. And bras? Your cup(s) runneth over. Have I got your attention? I thought so.
The V&A exhibition includes this ‘Tamila’ lingerie set from the Agent Provocateur 2015 Soirée collection. Photographer: Sebastian Faena. Model: Eniko Mihalik
These aren’t the sort of treasures you typically find in an esteemed public institution, but London’s Victoria and Albert museum is renowned for its sartorial showcases of wearable art. With well-received exhibitions of Hollywood costumes and last year’s cadre of haute couture fashions from Alexander McQueen under its belt, the design museum now dares to go (almost) bare with “Undressed: A Brief History of Underwear.” (See what they did there?)
Cage crinoline, the ‘Princess Louise Jupon Patent, c. 1871. Credit Victoria and Albert Museum, London
This assemblage of unmentionables, on show until March 12, 2017, date from the 18th century to the present. It’s an eclectic collection ranging from the rather mundane, such as a package of Y-front men’s underwear and ladies’ panties emblazoned with the days of the week, to the decidedly more exotic.
Imagine, for instance, strapping yourself into a 19th century steel crinoline resembling the skeleton of a starved and stunted dinosaur, or lubing up to squeeze into a red and black rubber ensemble of matching bra, corset, thong and stockings (below, second from right, released by House of Harlot in 2015). Neither would look out of place in the Marquis de Sade’s torture chamber.
During the last weekend of every August, approximately one million punters rock up for Red Stripe and revelry at London’s Notting Hill Carnival. Originally introduced by Caribbean immigrants in the mid-60s, the event has evolved into one of Europe’s biggest street celebrations. Think of Mardi Gras…on steroids.
Picture parades of scantily clad dancers, undulating in sequins and feathers as they writhe and wiggle among the crowds or hover above the fray on elaborate floats, snaking through the streets of one of London’s buzziest multicultural neighbourhoods. Clouds of smoke rise up from BBQ stalls, perfuming the air with eau de jerk chicken and curried goat.
Giant speakers blast steal drums and reggae so loudly that the sound waves vibrate your very bones. Meanwhile, Gaz’s Rockin’ Blues Bandstand (the best free show you’ll ever see, or your money back) features live performances by costumed musicians on a set worthy of a West End theatre.
For the three years I lived in Notting Hill, I had a front-row seat for the carnival, taking in the action from atop the porch outside my window. (My rear windows overlooked the dumpsters of a Tesco loading dock, but I tend not to brag about that so much).
While some folks boarded up their shops and ground floor flats, fleeing the crowds, I locked and loaded my camera, knowing that many of the year’s most memorable moments were about to unfold in the neighbourhood I felt fortunate to call home.
Here are some of the strangest moments from Carnivals past.
This butterfly headdress, created by milliner Philip Treacy for Alexander McQueen, is now on show at the V&A. Credit: Model Alana Zimmer, © Anthea Simms
Banish the beige, drop the drab, and refuel your fashionista spirit with a visit to “Savage Beauty,” a retrospective of the late Alexander McQueen’s sartorial extremes on display at London’s V&A.
Claire Wilcox, the V&A’s senior Curator of Fashion, has considerably expanded upon the original exhibit at New York’s Metropolitan Museum of Art. For the London show, which continues through August 2, 2015, Wilcox sourced 66 additional pieces and included a new section focusing on McQueen’s early collections.
The result is an extraordinary selection of 240 ensembles dating from 1992 to 2010, displayed over ten themed rooms.
Here are a few “do’s” and “don’t’s” to bear in mind if you’re planning a visit. (more…)
Growing up in the Southern United States, I learned the fundamental fashion rules from my mother. Never wear white after Labor Day. Always match your shoes and your handbag. There’s no such thing as a bow that’s “too big.” And do not, under any circumstances–not even on a triple dog dare–sport a duct-taped box on your head. (Like I said…the basics.)
But when I moved to London eight years ago, I found folks around every corner who not only broke the rules. They burned them, smashed them, and jumped up and down on them in Doc Martens that–get this–clashed with their handbag.
I have a couple of theories about Londoners’ funky fashion sense. One is that you’ve got to push the boundaries if you want to stand out in a city of more than eight million.
Another is that closets here are so small, you’re pretty much forced to mix and match the few items you own with maximum…let’s just call it “creativity.”
Or maybe it’s down to the city’s unofficial motto: “London: The City Too Busy To Do Laundry.” So just wear whatever smells least like stale sweat and spilled beer. Even if that means donning a sombrero and flippers.